Man, I Feel Like
a Woman
This practice research project, conducted by Madeline Oslejsek, Robert Beck, Stephanie Fuller, Shelby Bond, and Matthew Frener, interrogated how drag engages with gender binaries through the examination of the way in which gender is constructed by performers and read by audiences. Returning to Butler’s theories on gender performativity (1990, 1993), the group explored how, and to what extent, drag subverts or solidifies the gender binary and consequent stereotypes.
Upon reflection of the data we received from our survey, theories we have considered, and our enquiry: to what extent does drag subvert or solidify gender binaries, we have discovered that there is not a definitive conclusion or answer.
The answer lies along a spectrum of layered elements. However, we cannot ignore the context that we find ourselves in: a capitalist society where a lens has been framed according to the belief of binary systems.
This false division that is drawn between two things is the basis for inequality and hierarchy between them, and can be seen in various aspects of society such as economical, sociological, and educational forms.
But, we need to break this convention of framing things as either being of one or the other. Drag performance does not subvert or solidify, but both subverts and solidifies the gender binary. The act of one cannot be done without giving a nod to the other.
Whilst the intention of the drag performer may be to subvert such binaries by performing the gender stereotypes through parody, the performer is inherently drawing attention to them and thus solidifying and further fuelling their existence.
If you are interested in hearing more about the data and/or research methods involved in this project, please submit an inquiry using the below form: